“Ruins” by Gabriele Tinti and Marton Csokas
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Just/Talk: Justin Strauss with Bráulio Amado
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Stepping into new rooms with Daniel Daley and Nineteen85 of dvsn
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Just/Talk: Justin Strauss with Aurélien Arbet
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Spencer Moody from the Murder City Devils and Ben Jaffe from Preservation Hall
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Interview: Pete Yorn & Jackson Phillips of Day Wave
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Just/Talk: Justin Strauss with Luke Jenner from Rapture
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
The Truth Will Set You Free, But First It Will Piss You Off! Interview with Gloria Steinem
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Skyler Skjelset Interviewing Ryuichi Sakamoto
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Just/Talk: Justin Strauss with Nick de Ville
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.