March 19, 2020
“Ruins” by Gabriele Tinti and Marton Csokas
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
March 5, 2020
Just/Talk: Justin Strauss with Bráulio Amado
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
February 4, 2020
Stepping into new rooms with Daniel Daley and Nineteen85 of dvsn
Make sure to add an excerpt for this post. It will be visible on the category pages.
January 22, 2020
Just/Talk: Justin Strauss with Aurélien Arbet
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
December 2, 2019
Spencer Moody from the Murder City Devils and Ben Jaffe from Preservation Hall
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
November 21, 2019
Interview: Pete Yorn & Jackson Phillips of Day Wave
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
November 19, 2019
Just/Talk: Justin Strauss with Luke Jenner from Rapture
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
November 15, 2019
The Truth Will Set You Free, But First It Will Piss You Off! Interview with Gloria Steinem
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
November 12, 2019
Skyler Skjelset Interviewing Ryuichi Sakamoto
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
September 25, 2019
Just/Talk: Justin Strauss with Nick de Ville
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.