Creating a “Living and Breathing Pylon to Black Culture” with Damon Young for Very Smart Brothas Live! Pt. 2

On July 7th, 2018, Ace Hotel New Orleans hosted Very Smart Brothas‘ Damon Young and Panama Jackson at the third annual Essentials, a series that Ace hosts concurrent with Essence Festival in New Orleans. In Part 1, Panama riffs on Return of the Mack and the merits of Janet Jackson.

Just/Talk: Justin Strauss with Lenny Kaye

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Just/Talk: Justin Strauss with Louise Trotter

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Naked Boys Reading Presents: Short Serials with Season Butler

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Artist-in Residence: Janet Levy presents Love Looks Like Fire

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826CHI: Homemade Clones by Vakaris R.

We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

“Patience Is A Vulture”: An Interview With Creative Growth Artist Ray Vickers

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Snow In The Desert Interview: Eve Fowler

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