Make sure to add an excerpt for this post. It will be visible on the category pages.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Make sure to add an excerpt for this post. It will be visible on the category pages.

We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

Industrial goth maven Nika Danilova has been making dark art pop under the moniker Zola Jesus for nearly a decade. The Wisconsin-bred musician, known for making atmospheric, abrasive orchestral sounds, took a break from working on some new collaborations in Los Angeles to chat with us about her favorite local hangs, where to start your dive into Neo-classical listening and why rusted sheet metal can be your best friend in the booth.

“BreakBeat Lou” Flores has been a student of sound since he was three years old. The legendary Bronx-born DJ, B-Boy and hip hop pioneer — whose modus operandi could be summed up by the line, “If it’s funky, it’s funky” — cut his sonic teeth in the early 70s in New York City, where he says “there was no better recipe” for hip hop to happen. Here he chats with longtime Ace friend and fellow New York mainstay Justin Strauss for this edition of Just/Talk about the octopoidal nature of being a DJ, soaking records in bathtubs to hide their labels from rival music crews and the first record he ever bought.