Just/Talk: Justin Strauss with Luke Jenner from Rapture
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
The Truth Will Set You Free, But First It Will Piss You Off! Interview with Gloria Steinem
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Skyler Skjelset Interviewing Ryuichi Sakamoto
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Just/Talk: Justin Strauss with Nick de Ville
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Creating a “Living and Breathing Pylon to Black Culture” with Damon Young for Very Smart Brothas Live! Pt. 2
On July 7th, 2018, Ace Hotel New Orleans hosted Very Smart Brothas‘ Damon Young and Panama Jackson at the third annual Essentials, a series that Ace hosts concurrent with Essence Festival in New Orleans. In Part 1, Panama riffs on Return of the Mack and the merits of Janet Jackson.
Corporeal Constructions: A conversation on body and space in an art practice
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Just/Talk: Justin Strauss with Lenny Kaye
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.
Seeing Cindy Sherman With National Portrait Gallery’s Magda Keaney
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Just/Talk: Justin Strauss with Louise Trotter
Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.