We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Make sure to add an excerpt for this post. It will be visible on the category pages.

We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

We agree with Richard Avedon when he says, "Anything is an art if you do it at the level of an art." Sculpture, mineral, sound and thought — this is art if you want it to be. From January through June of 2019, we worked with Chicago-based gallerist Andrew Rafacz — of his own Andrew Rafacz Gallery — to curate an artist to stay at Ace Hotel Chicago each Sunday night for our Artists in Residence program.

Bodies, much like the people who house them, are vastly different. How we understand them, then, is largely dependent on how they’re shown to us. Photography — or the two-dimensional renderings we encounter upon first blush — introduce us to those bodies, but offer something else, too.

Make sure to add an excerpt for this post. It will be visible on the category pages.

Here, modern artist Ed Ruscha shares his personal story on the passage of time, perhaps a road map for our journey into the future of Desert X. Read it by the pool or at least pretend you’re by one.

We like meeting new people. People who upend expectation and will mix their florals, their decor, their friends, their cocktails, anyway they like. You know them by what they wear and how they wear it, the disparate genres on their bookshelves, and you know as soon as you walk into their space.